Paradoxically, it is this epic battle around which everything should turn to work less: too many expectations, too many centrifugal forces, to make it impossible even for a quarterback of the plots such as Singer maintain an overall cohesion. A number of difficult things to hold in one film, disproportionately dilated, with a concluding section devoted entirely to the dramatic clash between the mutants, with the fate of the world as stakes. How to stage a more powerful mutant of all others, and reframe the familiar characters of the saga, schierandoli with or against him, buried up to pinch the world of Ancient Egypt, trying to avoid the pitfalls of digital peplum style Gods of Egypt. A task not easy for Bryan Singer, who for X-Men: Revelation assumes more of a risk. In 1983, while the world is still indebted to Raven and Professor X for saving the President of the United States and Magneto tried to start a new life and a family on condition of anonymity, a group of fanatics awakens from his eternal rest Revelation, more than ever determined to regain rightful place on the throne of the world.īeing able to make the events of Marvel mutants without betraying interesting and engaging again the expectations of a movie that is – because that has to be for the “House of Ideas”, it’s Disney or Fox – bigger, big and fulfilling the previous.

En Sabah Nur, said Revelation and worshiped as a god, is about to make the transfer ceremony of his soul in the body of a mutant who has the power to regenerate their wounds, obtaining immortality, but a group of rebels imprisons under a pyramid. Posted in: 2016, Movies, Sci Fi on: December 15Īncient Egypt.

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